niki.unique
عضو جدید
اگه حوصله ندارین متن رو بخونید، به هر تصویر نگاه کنید ببینید میتونید حدس بزنید کدوم شخصیت مشهوره؟
[URL="http://up9.iranblog.com/"][IMG]http://up9.iranblog.com/images/5884jd2egd9ie5cij05p.jpg[/URL][/IMG]
Charlie Chaplin
When Bar works with black and white, he relies on negative space to 'create forms that allow elements to float.' Here, Bar uses one of Charlie Chaplin's most famous on-screen moments to define his face, though there are few actual lines . Inspired by Chaplin's shoe-eating scene in The Gold Rush, Bar turns a shoelace sum spaghetti strand into Chaplin's eye and nose; the shoe works double duty as both moustache and mouth
When Bar works with black and white, he relies on negative space to 'create forms that allow elements to float.' Here, Bar uses one of Charlie Chaplin's most famous on-screen moments to define his face, though there are few actual lines . Inspired by Chaplin's shoe-eating scene in The Gold Rush, Bar turns a shoelace sum spaghetti strand into Chaplin's eye and nose; the shoe works double duty as both moustache and mouth
[URL="http://up9.iranblog.com/"][IMG]http://up9.iranblog.com/images/deiqbzredowxgcrs62s3.jpg[/URL][/IMG]Bill Murray
As Bar started work on Bill Murray, he was pleased to discover that in profile, Murray 's face created a ghoulish figure in the negative space. The Ghostbusters icon for an eye is a rather obvious, but effective choice
A true cultural icon, Bob Dylan is no stranger to being interpreted. Bar keeps this one simple, using three of Dylan's tools of the trade: musical notations, guitar, harmonica. That Bar can invest such age and mystery into a face that is primarily white negative space is yet another example of his ability to see subjects as more than just people -- they are their careers
These days, the dollar sign would be just as appropriate for David Beckham's face as the British pound symbol. The soccer star and money -making machine that is Beckham now spans across the Atlantic Ocean, all the way to Los Angeles . We'll see if one man can make Americans soccer fans, but even if he can't, he'll still be rich
Commissioned by The Economist for a cover story about 100 years of Einstein. Though the illustration was never printed, Bar considers this a perfect example of combining two icons, which results in something that is 'almost like a logo.' Einstein's famously unkempt hair and the atomic symbol, with the oleculesm as eyes, for this famous face
We've all been exposed to the Harry Potter hype. The success of this image is how it speaks directly to the fictional Harry Potter story, as well as the reality of this multi-million dollar industry. The centerpiece of the illustration is the wand, which evokes fanciful magic, as well as the almighty dollar
This portrait of Hitler accompanied James Delingpole's article 'Mein Kash: Milking the Third Reich,' written for Esquire UK . The piece examined the publishing trend to release books about Hitler (which number close to 1,000 on Amazon). For such an article, Bar's choice to convert the moustache into a barcode was spot-on
Celebrity chef Jamie Oliver has probably spent as much time on TV and book tours as in the kitchen. An advocate of simple, healthy home cooking, a mortar for a mouth and a pestle for a nose make this face recognizable
Kim Jong-Il
Known the world over for his cavalier rhetoric about North Korea 's nuclear capability, missile contrails make for the glasses of Kim Jong-Il. Commissioned by the Guardian, Bar was under a deadline, and to this day when he looks at this illustration, he wishes he had had the time to use only one missile. Be that as it may, the illustration works, as it looks like Kim and also incorporates what he is known for, weaponry and antagonizing the United States
The smoking torch that defines Margaret Thatcher's face in this illustration remarks on the fading political power of her Conservative Party, descended from the Tory Party. Equally adored and maligned as England 's Prime Minister from `975 to 1990, the end of her tenure was spurred by internal struggle within the party. In assessing her legacy, Bar appropriated the old Tory logo to give a visual representation of flagging power. The old Tory logo was a flaming torch, while Bar's interpretation smolders
As Bar started work on Bill Murray, he was pleased to discover that in profile, Murray 's face created a ghoulish figure in the negative space. The Ghostbusters icon for an eye is a rather obvious, but effective choice
[URL="http://up9.iranblog.com/"][IMG]http://up9.iranblog.com/images/ftpb9fmucegktbxfxuvo.jpg[/URL][/IMG]
Bob Dylan
A true cultural icon, Bob Dylan is no stranger to being interpreted. Bar keeps this one simple, using three of Dylan's tools of the trade: musical notations, guitar, harmonica. That Bar can invest such age and mystery into a face that is primarily white negative space is yet another example of his ability to see subjects as more than just people -- they are their careers
[URL="http://up9.iranblog.com/"][IMG]http://up9.iranblog.com/images/4owmtdufm48agj2pfe2.jpg[/URL][/IMG]
David Beckham
These days, the dollar sign would be just as appropriate for David Beckham's face as the British pound symbol. The soccer star and money -making machine that is Beckham now spans across the Atlantic Ocean, all the way to Los Angeles . We'll see if one man can make Americans soccer fans, but even if he can't, he'll still be rich
[URL="http://up9.iranblog.com/"][IMG]http://up9.iranblog.com/images/onvkbsz911epn7ne8swi.jpg[/URL][/IMG]
Albert Einstein
Commissioned by The Economist for a cover story about 100 years of Einstein. Though the illustration was never printed, Bar considers this a perfect example of combining two icons, which results in something that is 'almost like a logo.' Einstein's famously unkempt hair and the atomic symbol, with the oleculesm as eyes, for this famous face
[URL="http://up1.iranblog.com/"][IMG]http://up1.iranblog.com/images/ritgquckujp1d272cj7c.jpg[/URL][/IMG]
Harry Potter
We've all been exposed to the Harry Potter hype. The success of this image is how it speaks directly to the fictional Harry Potter story, as well as the reality of this multi-million dollar industry. The centerpiece of the illustration is the wand, which evokes fanciful magic, as well as the almighty dollar
[URL="http://up1.iranblog.com/"][IMG]http://up1.iranblog.com/images/8igjs61jbubytsfxg1h.jpg[/URL][/IMG]
Adolf Hitler
This portrait of Hitler accompanied James Delingpole's article 'Mein Kash: Milking the Third Reich,' written for Esquire UK . The piece examined the publishing trend to release books about Hitler (which number close to 1,000 on Amazon). For such an article, Bar's choice to convert the moustache into a barcode was spot-on
[URL="http://up1.iranblog.com/"][IMG]http://up1.iranblog.com/images/kljqfoq9slqdklsohxsn.jpg[/URL][/IMG]
Jamie Oliver
Celebrity chef Jamie Oliver has probably spent as much time on TV and book tours as in the kitchen. An advocate of simple, healthy home cooking, a mortar for a mouth and a pestle for a nose make this face recognizable
[URL="http://up1.iranblog.com/"][IMG]http://up1.iranblog.com/images/bw0820z3syco46o2bw0y.jpg[/URL][/IMG]
Known the world over for his cavalier rhetoric about North Korea 's nuclear capability, missile contrails make for the glasses of Kim Jong-Il. Commissioned by the Guardian, Bar was under a deadline, and to this day when he looks at this illustration, he wishes he had had the time to use only one missile. Be that as it may, the illustration works, as it looks like Kim and also incorporates what he is known for, weaponry and antagonizing the United States
[URL="http://up1.iranblog.com/"][IMG]http://up1.iranblog.com/images/rucr3y5l4g0u7ik1bhs0.jpg[/URL][/IMG]
Margaret Thatcher
The smoking torch that defines Margaret Thatcher's face in this illustration remarks on the fading political power of her Conservative Party, descended from the Tory Party. Equally adored and maligned as England 's Prime Minister from `975 to 1990, the end of her tenure was spurred by internal struggle within the party. In assessing her legacy, Bar appropriated the old Tory logo to give a visual representation of flagging power. The old Tory logo was a flaming torch, while Bar's interpretation smolders
