Taichung Convention Center By MAD Architects
Taichung Convention Center By MAD Architects
  Beijng architects MAD have designed a convention centre for Taichung, Taiwan.
 
  The project will consist of a series of mountain-like buildings with  pleated exterior surfaces, allowing natural ventilation and  accommodating photovoltaic panels.
 
	 
 
  
 The architects wanted to seamlessly integrate the topology of the landscape and the architecture.
 
  Here are some more details from Mad:
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 TAICHUNG
CONVENTION CENTER
2009
 Beijing based MAD Architects has recently completed the design for  the Taichung Convention Center, its first project in Taiwan commissioned  by the Taiwanese government.
 
  Taichung requires a metropolitan landmark that can go beyond the  local to renew urban life and redefine the cultural landscape of the  city, launching Taichung into the arena of world class cultural cites.
 
  This requires unique architectural concepts and a new kind of architectural philosophy.
 
  No longer characterized by mere considerations of height or visual  impact, landmark buildings must first and foremost foster public  recreation and inspire communication and imagination, redefining our  relationship to culture and nature.
 
  This project is conceived as a continuous weave of architecture and  landscape, a futuristic vision based on a naturalistic spirit.  The  design inherits Chinese architecture’s long-standing attitude towards  holistic integration and order of space, employing the essence of the  East’s philosophy of a harmonized cycle between human and nature.
 
	 
 
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 In the face of the project’s enormous scale, the architecture no  longer exists as a series of individual blocks, but instead is rendered  as a collective form.
 
  The resultant spaces come into focus in a natural order emerging from  air, wind and light, fostering a resonance between human and nature.
 
  The site and the program of this project are inherently high-energy.  The ‘mountains’ provide a calming and unifying skin, and yet, under its  calm surface, there are topological potentials waiting to be discovered.
 
	 
 
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 On the one hand, the architecture’s crater-shaped formation and resulting rotundas are the outcome of found site conditions.
 
  On the other, it simultaneously shapes and influences the surrounding  environment, opening up a dialogue between architecture and landscape.
 
	 
 
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 The surface of the ‘mountains’ is a high-tech, eco-friendly pleated  skin system. The smocking-like envelope provides air flow to the  building while keeping energy consumption at a minimum by utilizing  solar energy.
 
  The open courtyards that connect the individual mountains are integrated into a natural sequence of outdoor spaces.
 
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 Like the quest for a harmonic coexistence between people and nature  exemplified by Forbidden City and ancient Chinese gardens, this project  seeks greater meaning in its non-material qualities, spaces encircled  with the upmost naturalistic spirit.
 
	